Quick Find: #46, #47, #48, #49, #50, #51, #52, #53, #54
This plane was designed by Justus
A. Traut, a German immigrant, who was generally known as "The Patent King
of the United States." He held at least 145 patents, ranging from
woodworking tools to bottle openers. He held the basic patent for the #45, but this,
and the following plane, the #47, are commonly known as "Traut's Patent
Combination Plane".
This is yet another in a series of combination planes offered by Stanley.
The distinguishing characteristics of this plane is that it has fewer cutters,
all of which are ground straight across, and that they are skewed, which makes
the plane more versatile when used across or against the grain. Most of the
planes are found missing all but one of their cutters, with the only one
present being the one left in the plane from the last time it was used. Cutters
from the other combination planes will not work in this one as the edges of the
#46's cutters are beveled (relative to
the cutter face). If you need cutters, you often will pay more for a complete
set than you did for the plane itself.
Like the #45, this plane originally was cast with floral motifs on its main stock,
sliding section, and fence. Prior to the addition of its #45-like fence,
which was introduced ca. 1900, the sliding section doubled as the fence when
the plane was used for ploughing and rabbeting. A detachable guard plate, which
is often missing from the plane, was screwed to the sliding section's skate for
this function. The guard plate extends the depth of the sliding section so that
it can reference the edge of the stock and position the cutter at a constant
distance from the edge. If you note two holes in the sliding section, and
there's nothing filling them, your plane had a detachable guard plate, which
long ago became detached from your plane. A lot of guys are looking for guard
plates, and the screws that hold them to the plane (they are rather fragile),
so you'll have plenty of shoulders to cry on while hunting for yours. Do be
sure that you're after the proper guard plate as there is a very subtle
difference between them where the earlier ones have small thumb screws to
fasten the guard plate to the sliding section and the later ones have slotted
screws to accomplish the same. Test that your guard plate's inner face is flush
with the inner face of the sliding section, when the guard plate is attached.
Another commonly missing
part is the wrap around depth stop, which came with the earlier models of the
plane. This fence, made of cast iron, straddles the main stock and fits over
the top of the regular depth stop. This stop is superflous, and many guys just
tossed them, using just the regular depth stop instead. This wrap around depth
stop is probably the hardest part to find for this tool. And while on missing
parts, it should be noted that this plane only came with a single depth stop
(unlike the #45) and that only one thumb screw was supplied to secure the depth stop;
there are two positions for the depth stop and it and its screw are swapped to
the desired location.
After the guard plate was dropped for the fence proper, the plane pretty
much followed the #45 in its evolution - the plane dropped the japanning
in favor of the flashy nickel plating ca. mid 1890's, a rosewood strip was
added to the fence ca. 1905, the rosewood handle style changed over time,
etc... One notable difference is that the rosewood front knob always remained
on the main stock, and was not repositioned onto the fence as in the case of
the #45. Also, the floral casting was continued on the #46 until its production was KO'ed permanently during
the big war.
When the guard plate is removed from the plane, which is what's done when
cutting dados, a batten must be used to track the plane. The batten is tacked
along the right side of the dado's position on the wood so that the right side
of the plane has a consistant reference to cut the dado. The depth stop is
positioned on the sliding section, which is opposite when grooving or rabbeting
where the depth stop is positioned on the main stock. The spurs - one on the
sliding section and one on the main stock - are lowered so that they can score
the wood prior to the cutter doing its cutter thing. The spurs are arranged so that
their bevels face each each other. It's surprising how many planes can be found
with the spurs turned around with the bevels facing outward from the cutter.
Speaking of spurs, many of the planes are missing theirs. Like the guard plate,
there are two basic kinds of spurs: those that are wedged into milled slots and
those that are secured with a small screw. The latter spurs are the easiest to
use, and they can be flipped end for end when one end of the spur no longer has
any more life left to it.
The plane should be inspected for cracks or repairs to the castings. The
plane is a rugged one, but like any other piece of cast iron, it cannot
withstand body slams to concrete or the like. Check the looping portion of the
casting about the handle, the casting on the fence where the arms arch upward,
and the skates of the main stock and sliding section. On this plane, and the #47, the skates are cast
integral to the plane and are not made of steel pieces pinned the castings like
they are on the #45 and #55. You should also unscrew the arms to make sure that
they aren't bent
This plane is a fabulous worker, much better than the #45. The simple
act of skewing the iron makes this plane plane dados around the #45. It also
does a fine job of cutting cross grain rabbets, a common function when making
lipped drawer fronts. If you have money burning a hole in your pocket, and are
given the chance to buy one, and you dig working wood with handtools, buy this
tool! A good working example of this plane will cost less than the number of
wooden dado planes alone that it replaces. And, unlike the wooden dado planes,
this one won't warp on ya, which is the kiss of death for wooden dados (warped
wooden dados will have your dados in a bind).
There is one minor nuisance that bugs me about the plane - I find that its
arms are too long for cutting dados. The arms need to be as long as they are so
that the tool can cut grooves over the same range that common ploughs do.
Stanley must have recognized that the long arms bugged other guys since they
quickly added the #47,
with its shorter arms, to their arsenal of planes. And while on the topic of
arms, make sure that the arms are proper and not replacements off a #45. The #46
arms measure 5" long (not counting the threaded length) on the earlier
models, while the later models (the later production of the nickel plated
examples) have arms of 6 1/2" long.
The following cutters come with the plane:
|
ploughing and dadoing |
3/16", 1/4", 5/16", 3/8", 1/2", 5/8", 7/8", 1 1/4" |
|
fillister |
1 1/2" |
|
tonguing |
1/4" |
|
slitting cutter |
V-shaped (same as that of the #45) |
|
ploughing and dadoing |
13/16" |
Again, you'll note the presence of the mysterious 13/16" width, which
appeared simultaneously with the cutter provided for the #45 and the
introduction of the #39 13/16. The astute observer will also note that Stanley
never offered a 3/4" cutter with the plane. Kinda makes it tough on us
modern woodworkers, no?
This plane is a funky
hybrid of the #46,
and was designed to function only as a dado plane as evidenced by the short
4" arms that are provided with the plane. The arms are only long enough to
accomodate the widest cutter and the sliding section. The plane is never marked
#47, since the #46 casting was always
supplied as the plane. In fact, the plane is embossed "No. 46".
Other than the conspicuous short arms - they measure 2 1/2" long over
the unthreaded portion - there are two other distinguishing ways to identify
the plane: 1) the front right housing for the depth stop is ground off; 2) and
the sliding section never has holes to receive the guard plate (remember, the
guard plate is used only for ploughing and rabbeting on the #46). The depth stop is always positioned in the
sliding section, to the left of the cutter, just like it is on a wooden dado.
A fence was never supplied with the plane, nor were there as many cutters
supplied, but both these facts are no guarantee that you have a true #47. It gets very confusing on the last models of this
plane, since they are identical in every way to the #46, except that they were shipped without the fence,
have fewer cutters, and the rightmost depth stop housing is not ground off.
These planes are always nickel plated. I'd be wary of these later models, if
you're collecting, unless they come along with their original box marked with a
#47 label.
I discovered a very rare
variant of the #47, and it's surprising
the thing was never offered this way (and on the #46, too). There is a problem with both the planes when
using the narrowest cutter - only one spur, the rightmost (carried on the main
casting), can be used as it's impossible to move the sliding section close
enough to align with the cutter's leftmost edge. This is obviously suboptimal.
On the one example I unearthed, Stanley milled an extra recess on the left side
of the main casting for an auxilary spur thus making it possible to remove the
spur from the sliding section and placing it in the main casting (you can see
the extra recess in the image to the right - the recess is directly below the
flat milled area). The narrowest cutter now has a spur aligned with either side
of the cutter, making the plane function as it should. Perhaps Stanley found
this milling too costly, and it seems odd that only one example has turned up,
which suggests that maybe it was a custom order by a smart-thinking tradesman.
Like the #46,
these planes work marvelously for dadoing and do so without the risk of ripping
your fingers to shreads like those 'lectrical ones can. The #47 isn't encountered nearly as often as the #46 is, and it's a plane
that gets little respect by collectors and users. Do your part to change this
by adopting one that happens along your way.
The following cutters come with the plane:
|
dado |
3/8", 1/2", 5/8", 7/8", 1 1/4" |
|
slitting cutter |
V-shaped (same as that of the #45) |
|
dado |
13/16" |
Hey, there's that funky and whacky 13/16" cutter again! JANE, STOP THIS
CRAZY THING!
This is one of Stanley's better
planes to use, and even the most ham-fisted power tool junkie can handle this
plane and be amazed by its results. It works well, is practically
indestructable, and is very versatile - it is designed to work stock from
3/4" to 1 1/4" in thickness (the groove centers on stock 7/8").
The only general negative about the plane is that its tote is all metal, which
makes for some discomfort when using the plane in colder weather - metal sucks
the heat right out of your hands.
There are two separate lever caps, one on each side of the main casting, to
hold the cutters in place. They are both activated by dedicated knurled screws.
Examine these lever caps for any damage since they are somewhat fragile. The
most common damage to them is breakage down where the cap places pressure on
the cutter. Make sure that ends of the lever caps are not flared away from the
main casting too much. If they are, the plane is apt to choke since the shaving
can become lodged between the lever caps and the main casting. I can't recall
seeing a plane with the lever caps butted perfectly against the main casting -
they all have some degree of flaring to their lever caps - but some flare more
than others. The nickel plated models seem to have lever caps that flare
outward more than the earlier japanned models do.
This plane normally is found with just two cutters, each 5/16" wide.
The original cutters of these planes do not have a circular notch cut on their
right side up toward the top. If you see one that does, it's a cutter from a
later #45;
the notched cutters fit the plane perfectly and work as well as non-notched
ones, but if you're into originality you'll need to find a cutter without the
notches.The early #45's cutters don't have the cutout, and if one of
these are used as a replacement cutter, it's impossible to tell whether the
cutter is original to the plane.
An extra wide cutter (5/8") was also shipped with this plane, making
for a total of three cutters on complete examples. The wide cutter is
positioned into the right side of the plane so that it can cut tongues on
thicker stock. If this cutters isn't with the plane anymore, you can still cut
tongues on wide stock, but you'll need to remove the narrow strip of remaining
wood on the rightmost side of the wood with a small bench plane or whatever
else you use for lightweight trimming.
To the left of the cutters is a fence, which can be rotated end for end
about its midpoint. There is a little locking pin on the forward portion of the
main casting, just below the knob, which engages the fence to lock it in
position. Check that this pin is there and that it works properly (there is a
coil spring on the pin to keep it in place). When the fence is locked in one
position, both cutters are exposed, and, thus, cut the tongue. When the fence
is swung end for end, and locked into its other position, only one cutter is
exposed, which then cuts the groove.
The fence can sometimes become wobbly from years of use. On these planes
there is generally evidence of a quick fix, where the screw that holds the
fence to the main casting is munged from over-tightening. You can also find
washers jammed between the fence and main casting to make the fence steady.
There is a turned rosewood knob on the front of the plane, and a cast closed
tote, both of which allow the plane to be worked easily. The knob is prone to
chipping about its base, and you'll sometimes find some hack repair jobs to the
nut and rod that fastens the knob to the main casting. The early models of the
plane, those that are japanned, have the characteristic bead turned at the base
of the knob.
The plane, when put in
full production, was japanned, with brass lever cap screws (for the cutters).
Most of these earlier japanned models have the patent date, "PAT JULY 6,
1875", depressed below the handle. A few of the earliest japanned models
do not have the depressed date, but, instead, have "PATENTED / JULY 6.
1875 stamped into the sole on two lines. The date on these earliest planes is
very tiny and is not noticeable with a casual glance. However, the fence on the
earliest model is about 2/3rd's the thickness as that of the more common
japanned models; the earliest being 7/16" and the later being 3/4".
The thinner fence probably didn't offer enough lateral stability to the plane
during use, and thus was increased to the thicker 3/4". The earliest
planes have a pronounced bead turned at the bottom of the rosewood knob.
Ca. 1900, the plane was nickel-plated, and is the most commonly encountered
version of it. These nickel plated planes can be found with and without the
floral motif cast into the tote; the earlier nickel plated models have the
vines, while the later nickeled models have the fish scale pattern cast into
the tote. World War II era planes are japanned due to the shortage of nickel,
and are fairly scarce. It's very easy to distinguish the earlier japanned
models from the later World War II japanned models - the earlier models have a
vine decoration cast into their totes whereas the World War II models have the
fish scale-like casting to them. Further, the World War II models don't have
any patent date information on them.
During this plane's production, and the #49's as well, it was equipped with more variations of
lever cap screws than perhaps any other plane made by Stanley. Nicely knurled
brass screws, slotted brass screws, nickeled screws cast with coarse knurling,
nickeled screws with fine knurling, and slotted trumpet horn-shaped nickeled
screws can all be found on these planes. The order in which they are listed
appears to be the chronology in which Stanley used them. Only the japanned
models used the brass screws.
There are some very scarce models of this plane, made by Union Manufacturing
Company of New Britain, Connecticut, which Stanley modified and then sold under
their name (Stanley had a 'incestuous' relationship with Union and finally
bought out their entire plane line ca. 1920). These planes resemble the later
nickel plated Stanley-manufactured #48's,
but have black japanning in the depressions of the tote and the fence. Stanley
ground off the UNION name (cast in the handle) and their model numbers (cast in
the fence) from the plane, and then filled the areas with the japanning.
Remnants of the Stanley decal can sometimes be found applied to the japanned
area of the handle. They also did the same treatment on the narrower #49's made by Union.
An early 'prototype', which may have served as the inspiration for this
plane, is cast with an integral fence; i.e., it doesn't flip end for end. It
has much more detailed floral motifs cast into it than the conventional models
of this plane. This plane was patented by Charles Miller, the same guy who
designed the famous #41 through #44, and the first model #50. Miller, undoubtably, had to be familiar with the
wooden match planes that have both the tongue and groove functions built into
them, and from these he likely modeled this metallic prototype.
This plane is identical to the #48, except for the width of its cutters, each of which measures 3/16" wide (it, too has an extra and wider cutter so that it can work thicker stock). It is designed to work stock 3/8" to 3/4" thick, and centers its groove on stock 1/2" thick. It's less common than the #48. Like the #48, the early models are japanned, with the later ones nickel plated. The true type 1 has the patent date stamped into the sole of the plane, not depressed in the casting directly below the tote. I can't recall seeing a japanned World War II model of this plane, but I'm sure they must exist.
The plane was shortened by about an inch during the late 1930's. These
shorter examples are not found nearly as often as the earlier and longer
examples. Furthermore, the planes really aren't as long as the propaganda claim
(which I use as a reference above). They are really closer to 8" long.
These short planes have the smaller, slotted, trumpet horn-shaped, and nickel
plated screws.
This is another combination
plane, though not nearly as complex, nor heavy, as the #45. When it
was offered in its first full production, it was done so only as a beading
plane, but someone got clever and decided it could also function as a ploughing
plane with little modification. The plane seemed always to be in a state of
change, as Stanley was adding this or changing that on the tool over its
lifetime of production. Since there are numerous parts to this plane, and
because it didn't come packed in a rugged box - cardboard was the common
material, but there was a short time when it was offered in a metallic box -
the plane is often found missing parts.
The plane has two threaded arms that are screwed into a main stock. There
are holes at the end of each arm to permit a nail, or something similar, to
tighten the arms to the main stock. Only one set of arms, about 7" long,
come equipped with the plane (the first model of the plane has shorter arms,
about 5" long). The arms carry a simple cast fence that is secured with
screws (the earlier are brass flat-headed, the later are nickel plated thumb
screws) at the appropriate distance for the cut. The fence never was offered
with a wooden face, like those on the later #45's.
The main stock doesn't
carry the cutter so much as it butts against the cutter's right edge. A sliding
section, similar to the function of the #45's, and roughly one half the length of the main
stock, fits onto the arms and butts against the cutter's left edge. The two
castings, therefore, sandwich the cutter. The way the two castings keep the
cutter locked firmly in place is via a thumb screw. The thumb screw fits onto a
threaded rod that's fixed into the sliding section. The threaded rod pokes
through the main stock, and it's there that the thumb screw makes contact with
the main stock. This thumb screw pulls the sliding section toward the main stock
as the thumb screw is tightened. It's a rather primitive, albeit effective, way
of holding the cutter in position, and the hassle of trying to align the cutter
so that it sticks out just beyond (to the left and right of) the 'skates' is
solved automatically with this design.
There is one slight problem with this design of sandwiching the cutter
between two castings to hold the cutter in place, and that is that the
narrowest two ploughing cutters (1/8" and 3/16") aren't wide enough
to be secured in this manner. A holding screw was added when these two cutters
were provided starting ca. 1936. The holding screw has a head that measures
3/4" in diameter, and it's this wide head that holds the cutter in place;
the sliding section is removed, and the holding screw is substituted. The same
wing nut that pulls the sliding section up against the left edge of the cutter
also pulls the holding screw's head against the left edge of the cutter. The
holding screw is normally MIA.
Sometimes, the sliding
section doesn't; i.e. it doesn't want to move easily when inserting or removing
the cutters. The wing nut can pull the sliding section toward the main stock
effectively, but there wasn't any fine adjuster to push the sliding section
away from the main stock for the times you wanted to insert a wider cutter.
Stanley solved this problem with the addition of a small, slotted screw at the
rear of the sliding section. The end of the screw butts against the main stock,
and as it's turned to the right, the sliding section is thrusted away from the
main stock. It's the combination of the two screws - one to pull the sliding
section toward the main stock, and one to push the sliding section away from
the main stock - that permits the fine tweaking of the tool when changing
cutters. This little screw also controls the sliding section so that it's
parallel with the main stock; manual adjustment can cause the sliding section
to become misaligned on the rods, as many of us who've goofed with the #45 know.
Both the main stock and the sliding section have spurs for working against
the grain; the spurs can be positioned out of the way when they are not needed.
On the earlier examples of the tool, the single-lobed spurs are rotated up 90
degrees where they sit flush to their respective 'skates'. On later examples,
the spurs are removed from their 'skates' and are then fastened into separate
cast depressions located on the right side of the main stock.
The first full production planes are japanned, have the decorative floral
motif (identical to that of the #48, #78, et al) cast into the handle, and have no depth
stop. Ca. 1890, the plane was nickel plated, while retaining the floral motif.
Ca. 1910, the floral motif was dropped for the common fish-scale pattern, and
it's at this time that plane became more general purpose by the addition of the
ploughing cutters. During the second World War, the planes were japanned due to
the shortage of nickel, and it's possible to find planes fitted with a mix of
finishes; i.e., a japanned fence on a nickeled body. Starting around 1945 it
was offered with a rosewood tote until the end of its production when hardwood
was substituted as the handle.
In 1936, a little lever was added to the plane behind the cutter. This
lever, very much like that used on the #78, engages the cutter so that it can be adjusted
easier. Whenever the cutter's set is changed, it's a good idea to back off the
thumb screw so that the cutter can move more freely, otherwise you can bend the
adjusting lever. The addition of the adjusting lever makes it impossible for
cutters from a #45 or #55, and even earlier #50 cutters, to work in this plane since they aren't
machined with grooves to engage the lever.
Around 1900, a chip
deflector (pictured to the left, with the cutter securing bolt to the right)
was added to the plane. As the name implies, the chip deflector's purpose is to
throw the shaving to the right of the plane instead of it going straight up the
iron, increasing the likelihood of the plane choking with shavings. The chip
deflector fits into the small hole just above the mouth and to the right side
of the main casting. The first planes to be shipped with the chip deflector
have one slight problem - the deflector and the depth stop can't be used
simultaneously since they both fit into the same hole of the main stock. Stanley
soon corrected this oversite by adding a provision for the depth stop on the
sliding section ca. 1910. The most commonly missing part for these planes,
without a doubt, is the chip deflector. They, and all the cam rests, #278 fences, #66 parts, #67
universal spokeshave parts, etc., are all resting comfortably in the land of
misfit parts.
The depth stop for this plane differs from that used on the other
combination planes like the #45. The earlier #50's depth stop has its post centered on the foot
whereas the #45's has its post offset toward one side (the front)
of the foot. Later #50's have
the post offset toward the front of the foot, but the foot is longer than those
of the #45. The post on the #45's stop has a larger diameter than the #50's. Check that a #45 stop hasn't been modified to fit the #50. To compound the confusion, Stanley equipped the
plane with a beading stop starting around 1915; planes made after this date
actually have two stops, with the beading stop being longer than the common
depth stop. The beading stop is used just like the one for the #45 is.
The plane doesn't have steel skates like the #45 does. Instead, it has cast iron skates, like the #46, which are integral
to the main stock and the sliding section. As is the case with any cast iron,
check it carefully for cracks, welds, breaks, etc. Look around the main stock,
where the cutter engages, for any stress cracks. This can be a problem area,
and Stanley took measures to overcome the flaw with the addition of a
reinforcement rib cast into the right side of the main stock ca. 1935.
The following cutters come with the plane:
|
beading |
1/8", 3/16", 1/4", 5/16", 3/8", 7/16", 1/2" |
|
grooving |
1/4" |
|
tonguing |
1/4" |
|
ploughing |
5/16", 3/8", 7/16", 1/2", 5/8", 7/8" |
|
ploughing |
1/8", 3/16" |
There is
another plane that has the same number designation as this one. This particular
plane was not offered by Stanley as a #50,
but was, instead, offered as that model number by the Russell & Erwin
Manufacturing Company of New Britain, CT. It's generally thought that Stanley
made the planes for Russell & Erwin, who sold them as Miller's Improved
Joiner's Plow, the No. 50. It is possible that Stanley designated
the plane as the #50, since it
pre-dates the common configuration of the #50, but no advertising literature has surfaced to
indicate that Stanley actually sold it. Stanley was manufacturing the #41-#44 Miller's
Patent series concurrently to this plane, and perhaps they didn't want to
advertise a plane that did the same function as those. Who knows? Regardless,
the plane wasn't manufactured for long, probably as a result of its delicate
castings which certainly must have proved to be difficult to make.
This plane is a masterpiece in Victorian tool design and the art of casting
and is one of the most prized objects in all of tooldom. The plane is
elaborately cast with floral designs on its fence and main stock. There is a
tiny turned rosewood knob fixed to the front left portion of the sliding fence.
It can be found cast in iron and gunmetal, but with subtle design changes to
each depending upon the material used to cast it - the most obvious difference
is that the gunmetal castings have a pierced skate of scrolled motifs whereas
the iron castings have a stippled skate. The gunmetal version also lacks the
'bridge' that spans the curved portion of the fence casting, between the two
arms. The cast iron version was plated with a copper-colored surface, which is
usually long gone when these planes rarely show.
This is an L-shaped plane
(in cross-section), with a skewed blade (relative to the sole), and is designed
to clean up mitres on finer work. It has the typical Bailey adjustment
mechanism, and a rosewood tote, but no turned rosewood knob. The tote is nearly
impossible to grip with your left hand due to its position on the casting and
its leaning to the right. It also can be tough to grip with your right hand, if
you have hands that are the size of Sasquatch's. The tote is the same size as
those used on the larger Bailey bench planes, and can be had from one of those
planes if your tote is damaged.
The body of the plane is ground square so that it can cut accurately as its
sole rides on a flat surface. The plane was designed to be used with the chute
board, #52, but
could be purchased separately by those guys who had a board of their own.
The frog is a custom shape - you can't take a regular Bailey frog and make
it fit this one, if your frog is screwed up. The frog is screwed to a rather
thick cross-bar in the main casting of the plane's body. Check that this
cross-bar isn't cracked. Because the frog doesn't mate to the main casting like
a conventional bench plane's does, it's impossible to open or close the mouth
of the plane. Further, a good portion of the cutter is unsupported because of
the frog's design. The cutter is supported where it's most important, down at
the mouth, but for the plane to work as intended, the cutter needs to be very
sharp since a good amount of the tool's use is cutting across the grain. And,
speaking of the mouth, its right side (when viewed from the sole) terminates in
a circular fashion
The lateral lever, common on all the Bailey bench planes, plays an important
role for this plane in the patternmaking trade. The lever can angle the iron,
relative to the sole, by the desired amount to give the work being planed the
proper draft. Draft is a very important part of patternmaking; draft is the
slight angle given to a pattern so that the resulting casting can pop free from
the sand.
This plane has been observed fitted with the typical World War II
treatments; i.e., hardwood tote, hard rubber adjustment nut, no nickel plating
on the lever cap, etc. If you find yourself in need of a replacement cutter or
lever cap, both are identical to those used on a #6 and #7.
This is Stanley's offering of the
#51 plane along
with a heavy cast iron chute board, which is designated the #52. Together, the two pieces sort of resemble a meat
slicer in appearance (it slices and dices ok, but don't buy it to julienne).
These two parts work very well, but are, unfortunately for the user, very
expensive.
Stanley advertised the board and the plane as being useful for
patternmakers, cabinetmakers, printers, picture framers, and electrotypers.
They even make a specific mention that "amateurs will also find this tool
very useful." During the early 1920's, the board and plane were priced at
$23.45. A common #5 was priced $6.05. It seems that there must have been some yuppy
woodworker types even back then or Stanley wouldn't have mentioned the plane's
amateur use in its propaganda.
The board is machined flat, and has a track into which the plane rides. The
plane can sometimes stick in its track due to shavings and crud piling up in
the track, and for the plane to cut accurately and effortlessly, this track
needs to be clean. A drop of oil along it also keeps the plane sliding along.
If you still find the plane tracking with difficulty, you can adjust the
metallic strip along the right edge of the board. There are four screws that
allow the strip to be adjusted latteraly when they are loosened; just loosen
the screws, set the plane in the track, butt the strip against the rightmost
edge of the plane, and then tighten the screws in a linear fashion as you move
the plane along the entire length of the track
The surface of the board is ground flat and left unfinished, but the
depressions cast into the board are japanned. The number "52" is cast
into a depression of the track. The earliest models have the 1896 patent date
cast into them. There are two countersunk holes bored into the beginning and
end of the track. These holes allow the board to be attached to a piece of wood
for mounting it in a fixture or on the bench. The board also has several holes
bored in it to accomodate the adjustable stop. Three of the holes are
predefined positions for the common angles of 90, 60, and 45 degrees; each of
these holes has the degree incised near it. Into these predefined positions a
t-shaped pin fits to make adjusting the stop easy. This t-shaped pin is often
missing from the board.
There is a stop on the
board, which can be adjusted through an arc of 45 degrees (degree markings are
incised along the arch-shaped portion of the stop). There are two holes in the
board at which the stop screw can be positioned; at the first hole the stop can
be adjusted from 45 to 90 degrees, while at the other the stop can be adjusted
from 45 to 0 degrees. Check the arched portion of the stop for any signs of
cracks, as it is susceptible to stress from the force applied to it by the
locking screw.
Attached to the stop is a plate that slides latterally relative to the
track. This plate is adjusted based upon the setting of the stop so that the
wood can have the proper support behind it as it is planed. When the stop is
adjusted from 90 degrees to 45 degrees, the plate is slid away from the track
lest the plane slam into it during operation. The plate is locked in place with
a nickel plated wing nut.
Attached to the face of the plate is an L-shaped hold down clamp. This clamp
is locked in position with the same kind of thumb screw as that used to secure
the plate. The clamp is provided to hold the workpiece in position as it is
shot true. The clamp has a hole drilled into it so that a screw may be driven
into the workpiece for real holding power. The clamp is often missing on these
boards, and its absence greatly diminishes the value (for collectors) of the tool.
Since this tool is designed to be very accurate, look for any signs of
cracks and repairs anywhere on the board and plane.
There ain't one. A plane, that is. There is a common as mud spokeshave that's numbered 53, but that's another subject for another day.
Only Stanley knows the reason why this plane was put into production as its utility is rather limited. Perhaps Stanley recognized the void in their numbering system, and decided that they ought to fill it with something useless. Or maybe they needed a plane to preceed (in the numbering sequence) that ghastly beast, the #55, in order to numb the potential customers as they scanned the company's catalogs. Whatever the reason, the plane didn't sell well and it's one of the scarcer planes in Stanley's former product line.
It's just another combination plane, whose appeal was limited due to its
specific use. It really is a redundant plane, since it's identical to the #50, except that there
is no depth stop provided on the sliding section (this plane suffers from a
classic case of identity crisis); there is a "vestigal" bulge on the
sliding section that's not tapped for the depth stop and its locking screw. The
plane does use the depth stop on the right side.
Since the plane is designed only to groove/rabbet with the grain, it has no
need for spurs, and there is no holder for the spurs cast into the right side
of the main stock. If this isn't enough to identify your plane, the sliding
section has the number cast into the arched portion.
The tool propaganda Stanley provided with this tool states that it came
equipped with two pair of arms, one short pair and one long pair. When the
plane is found, it's usually done so with just one pair of arms. The plane came
fully nickel plated, but some japanned models were produced during the war
years and it's possible to find mix and matched parts where the main stock is
nickeled and the fence is japanned, for example.
The plane has the same cutter adjustment lever as that provided on the #50. Some recent tool
literature states the plane came without the adjustment lever during its first
years of production. I can't ever recall seeing one configured this way, and
given the fact that the plane debuted a few years after the debut of the #50's cutter adjustment
lever, a convincing argument that the #54 was offered only with the adjustment lever can be made since modified #50 bodies were used for
this plane.
The following 8 ploughing irons come with the plane:
|
ploughing |
1/8", 3/16", 1/4", 5/16", 3/8", 7/16", 1/2", 5/8" |
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Copyright
(c) 1998-2008 by Patrick A. Leach. All Rights Reserved. No part may be
reproduced by any means without the express written permission of the author.